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Showing posts with label Euro 96. Show all posts
Showing posts with label Euro 96. Show all posts
Saturday, November 3, 2012

Neil Cotton: Five shirts from my past

In the latest in a long line of excellent guest posts from writers far and wide, The Football Attic welcomes Neil Cotton from the blogsite Row Z. Neil's unearthed some long-forgotten football shirts from his wardrobe and here tells us how he came to own them and the memories they bring back...

The writer and philosopher Walter Benjamin once said that “Every passion borders on the chaotic, but the collector's passion borders on the chaos of memories” and chaotic certainly seems a good word for the football shirt collection which I recently uncovered nestling in an unassuming, perfectly square cardboard box which had in turn spent the best part of a decade residing forgotten at the bottom of a wardrobe. This seemed to be a collection without a theme or any other sense of order, but as I unwrapped each shirt memories came rushing back as if each were a tiny time-capsule.

England (home, 1995-96)
The story of Euro 96 is a familiar and much told one; the time when football did not so much come home as come in from the cold wilderness years of the preceding decades. In the summer of ’96 it seemed football was truly everywhere and the success of the tournament played in the bright new stadiums that came with the Premier League era spoke of renewal and optimism. Labour would sweep to power less than a year later on the back of D:ream’s anthemic song ‘Things Can Only Get Better.’ Euro 96 also coincided with a transitional period in my own life. I had at long last finished school and was looking forward to the future beyond, but in the meantime my summer consisted of watching the games on TV, spending long evenings in the local park using the cricket blinds as oversized goals and curling in free kicks from a distance until the light finally gave out and it was time to return home and catch Jennifer Aniston in Friends on Channel 4.

Saint-Etienne (home, 1994-96)
Is it OK to develop an allegiance, however fleeting, for a football team on the basis that one of your favourite bands is named after them? I’m not sure either, but this is how the St. Etienne shirt came to be in the collection. St. Etienne (the football team) were once the dominant force in French football but whilst Saint Etienne (the band) reached number 11 in the UK chart in 1995 with the single ‘He’s On The Phone’, St. Etienne (the football team) were but a shadow of their former selves. They finished in 18th place and third from bottom in Ligue 1 at the end of the 1994/95 season, but they were spared relegation when Ligue 2 champions Marseille were denied promotion. The reprieve, however, would only be for one season and they were finally relegated to Ligue 2 the following season when they finished in 19th place. The shirt, perhaps fittingly for a club with its best days behind it, looks to the past with its lace-up collar – fashionable at the time, but strangely something you don’t see much anymore.

Southampton (home, 1995-97)
As a Southampton supporter, the mid-1990s was a miserable time, not for the growing realisation that in the new economy of football my club would never amount to anything but relegation fodder, but for the shirts designed by unfashionable kit manufacturer Pony. The lesson from this shirt is that retro and polyester don’t mix - though Umbro would later show how it could be tastefully done with the clubs 125th anniversary, but as a season ticket holder I was required to own this shirt and wear it week in and week out, pulling on the polyester monstrosity each Saturday morning with the same weary resignation as a teenager getting ready for their Saturday shift in Woolworths.

Millwall (away, 1995-96)
A dull day being dragged around Lakeside was made worthwhile by coming across this in a chain sports shop. In an age of the kind of identikit shopping experience ushered in by mega-malls like Lakeside, the only ever nods to localism were the one or maybe two shirts belonging to lower league clubs hanging alongside the usual suspects; the Liverpool, Man U and Arsenal shirts which you could pick up from Exeter to Edinburgh. For part of the 1995/96 season it seemed Millwall might join these big-boys in the Premiership, but for a spectacular implosion following manager Mick McCarthy’s departure mid-way through the season. At one point Millwall had been top of the league but slid towards eventual relegation on the final day of what turned out to be a poor season. Nice away kit though.

Feyenoord (home, 1994-1996)
It’s strange to think how much has changed in a decade or so. Just take this Feyenoord shirt; now thanks to internet shopping and sites like eBay you could probably find one for sale and place an order in less than 10 minutes without so much as moving from your sofa, but in the days just before the internet really took off this shirt was an exotic rarity which had to be tracked down and snared. I obtained it from Soccerscene on Carnaby Street - an Aladdins Cave of football shirts from around the world - which I discovered thanks an interview with The Beautiful South’s Paul Heaton, himself an avid shirt collector, in a magazine whose name I have long forgotten. Like many of the shirts at the time it features a collar, something I think all football shirts should have – I mean would Cantona have had quite the same presence had he been wearing Man Utd’s current sans collar shirt?

Our thanks go to Neil for giving us his football reminiscences. If you've got some football memorabilia tucked away in a cupboard somewhere that you want to tell us about, drop us a line to admin [at] thefootballattic [dot] com and we could end up publishing them on The Football Attic!
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Thursday, October 25, 2012

Corinthian ProStars, 1995

The Football Attic today welcomes Simon Craft from Virile Games to the guest-writing roster as he takes us back to a time when footballers were frequently big-headed. Wait a minute - wasn't this supposed to be a blog site about football nostalgia?

I was born too late for Subbuteo. As a child of the Nineties, raised on an instant-thrill diet of American cartoons and Um Bongo, I was reluctant to undertake such chores as ironing the pitch and learning the rules, so my set was doomed to remain under the bed, unloved.

What my generation needed was something a little less dowdy, a little more attention-grabbing. Something individually sculpted with a name-engraved base. Something, in other words, a lot like Corinthians Headliners.

Instantly recognisable due to their oversized craniums, these figurines were first released in late 1995. With Euro 96 approaching and patriotism briefly in vogue, the initial range was comprised of sixteen England players. I set about building a team.

Though the figures were available in packs of four or twelve, these were priced too highly to interest a football-sceptic mother, and were in any case absent from the local newsagents. My only avenue for acquiring them, therefore, was in the form of the ‘secret sachets’, which contained a single figure wrapped in a foil bag so as to conceal his identity until after purchase.



The unveiling procedure that my eight-year-old self undertook once out of the shop contained not excitement, but dread: what if it’s another Warren Barton? Of course, the playground presented an opportunity to exchange doubles, but the pickings were on the whole slim. I’d retrieved the goalposts and balls from my discarded Subbuteo set to act as props for my Headliners’ games, but the low numbers meant that for some time the scene resembled a casual game of headers-and-volleys rather than the exhilarating matches I had envisioned.

Thankfully, on the eve of Euro 96 a further twenty-four England players were immortalised in big-head form, and by the time the tournament kicked off I had managed to assemble a starting eleven. Its spine was recognisable, and strong: Seaman in goal, Adams at the back, Ince calling the shots in midfield and Shearer (clad, unlike his team-mates, in the grey away strip) leading the line.

Elsewhere, I had been forced to improvise. This meant starting berths for some lesser-known fringe players: Adams was joined in a three-man defence (back when they were fashionable the first time round) by Steve Howey and John Scales, while Barton and John Salako ran the channels. It also meant that some were forced to learn new roles: unaware of Barry Venison’s playing past, I was fooled by his flowing locks into believing him a flamboyant Batistuta-type striker, so he was press-ganged into partnering Shearer up front. The most striking tactical innovation, though, was undoubtedly Tim Flowers’ deployment as a holding midfielder – a role he adapted to surprisingly well.

Against a backdrop of ‘Three Lions’ and dentist’s chair celebrations, then, my rabble toiled against imaginary international foes, attempting to succeed where their real-life counterparts would ultimately fail, and emerge victorious from a major competition. The likes of Bulgaria, Turkey and Denmark were crushed without remorse in group-stage triumphs with improbable scorelines: 9-1 wins, accompanied by Nick Barmby hat-tricks, were not unheard of.

Yet somehow my team would always fall short at the final hurdle. Dropped into difficult scenarios – 2-0 down to France with ten minutes remaining, perhaps – these men would choke, blazing a stoppage-time penalty over the bar or heading wide from an inch-perfect Salako delivery. There was nothing holding them back except my own imagination; indeed, the opponents were physically absent apart from a goalkeeper (chosen from a rotating cast of my few non-England figures, none of whom were in fact keepers). But there was some unseen hand operating to ensure that their dreams of glory remained unfulfilled.

It was as though, even prior to the semi-final defeat at the hands of Germany, I had already internalised the law: England never win anything.

In the years that followed, the figurines – later known as ProStars – grew to span dozens of sets and thousands of players. Meanwhile, I quickly outgrew them as I abandoned imaginary play: by France 98, my mind was occupied instead by accumulating all twenty-three of the Sainsbury’s official England squad medal collection. There’ll always be a brief period of my childhood, though, which can be encapsulated best by a single image: a plastic Barry Venison with a gargantuan head, rising to meet a cross, and missing by millimetres.

Our thanks go out to Simon Craft for his fine recollection of Corinthian ProStars, and as ever we urge anyone else with a desire to write for us to get in touch. Email admin [at] thefootballattic [dot] com with all the details, and we could soon be publishing your article!
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Thursday, September 27, 2012

Panini: Got, Got, AAAARGH!

Panini is great, we all know this. What we also know is that Panini, especially in the football sticker world, have produced some truly bizarre moments. I recently purchased the World Cup & Euro Sticker Collections, which bring together all the Panini albums for the World Cup and Euro tournaments since 1970. This has given me a chance to not only relive some of the albums I collected at the time, but also to have an insight into albums I'd not seen before. And oh boy, what a treasure trove of weirdness and sheer crud they be!

So come with me now on a journey into Panini's dark side... and thanks to David Hill for the inspiration for the title.

Let's start with stickers that are just plain strange.

This is the Mexico 86 album. The team is Hungary (or as my 11-year-old head used to pronounce it, Meggazeggorzag).

This is the Hungarian keeper, Peter Disztl:

Hair up...
And this is defender Antal Roth:
...and down

Oh come on!
Now I'm not suggesting that the eastern side of the Iron Curtain was working on clones, but... y'know... CLONES!!!!

And in case you thought they might try to keep such genetic experimentation secret, look where they sat in relation to each other... it's like they wanted to be found out...


Next up is something I can't really blame Panini for, rather FIFA and their mascot obsession, but here I present the 2006 World Cup mascot who looks like ALF's cousin, the one who suffers from gigantism, inexplicably undergoing some kind of rectal examination by a far-too-happy football. What makes this image is the expressions on both their faces. The ball appears about to break into a Bo Selecta style 'chamon muthaf...' and the Lion seems halfway between angry and sedated. This sticker is all kinds of wrong and I still wake up screaming every night, fixed in the same half-assed Usain Bolt pose as Ol' Lenny here, terrified an unqualified sphere is about to 'glove up'.

Moving swiftly on and we're back firmly in a place where the blame lies 100% with Panini. As I mentioned on the first Attic podcast, the recent Euro 2012 album brought scorn from the Twitterverse for the shambolic nature of the England team stickers. Admittedly this is down to licensing so the actual England kit could not be used, but it did raise the ugly head of photoshopping heads onto shirts. Even with that abomination, it's nothing compared with what had gone before.

Here we have two perfect examples of 'floating head syndrome'. One isn't too bad, the other horrendous. It's like the people at Panini not only couldn't be bothered, but had actual contempt for either the players or team involved or you, the paying customer.

First up, we have a clearly three-dimensional head of Argentine World Cup winner Pedro Pasculli sitting atop a definitely flat-as-a-pancake shirt. Maybe he'd just been over-zealous with the iron that morning, though given the amount of time he'd spent sorting his hair, I can't see he'd have been able to fit it into his busy day. The real giveaway here is the neck just not quite lining up with the shirt. Remember that fact when you see the next one...

So then we have this. I'd say Robbie Fowler, but I'm not entirely sure all of him is actually there. Just take a moment to take it all in.

I'm almost speechless... I mean... the neck... zip... cropping... aaaaargh!!!





Finally, this has to be one of my favourite Panini stickers of all time. As demonstrated by the icy stares of Peter and Antal and the dead, severed head of Mr. Fowler, football mug shots are invariably sombre affairs. To counter this, one footballer makes up for all the pouting with what has to be the smiliest photo ever.

Step forward Mr. Mohammed Kaci Said of Algeria. With that epic tache and pearliest of white teeth, you are what football needs more of...

This is the greatest day of my life!
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