The Scoreboard: A display of practicality

I’m embarrassed to say it, but I used to have a bit of a thing about scoreboards when I was younger. Stadium scoreboards, game show scoreboards, cricket scoreboards… you name it, I loved it.

There was something about those static signs  with changeable numbers that had me transfixed as a kid. If someone scored a point in a football match or on a TV quiz show, I’d wait with eager anticipation to see the scoreboard update the total, be it manually or digitally. It’s ridiculous, I know, but I loved the magisterial sense of purpose that a scoreboard possessed.

This blog doesn’t take TV nostalgia as its subject, else you’d be spending the next 15 minutes reading about It’s a Knockout or Family Fortunes. Instead I shall turn my attention towards the humble football scoreboard, and they don’t come much humbler than the one installed at Wembley Stadium around the time of the 1966 World Cup.

Essentially this was a single-line display showing the two competing teams and the score. Being very much old-tech, the scoreboard was literally just a printed  or painted sign with white characters on a black background along with those all important changeable numbers. And those numbers needed some effort to change as the full set were available as individual tiles that had to be lugged around and slotted into place by a couple of men in white coats whenever anyone scored. It was simple, but it worked.

After a while, Wembley put in place an electronic scoreboard which, compared to its predecessor must have seemed like it had arrived from another planet. Using a vast array of light bulbs switched on and off in distinct configurations, rudimentary characters could shine out from the inky black background to tell the crowd what the score was and also who had scored. Such electrical wizardry can't have been lost on a generation eager to see technological advancements improving their game-viewing experience.

Around the UK, scoreboards of all kinds had appeared at football grounds right from the very early days but they never really had the 'wow' factor, nor did they become a universal feature. Scoreboards (old-fashioned or new) were high-maintenance and often expensive so only the most committed clubs went out of their way to get one.

Sheffield Wednesday’s Hillsborough ground got an electronic one around the time of the 1966 World Cup, but like so many of their day, it had its faults. Blown bulbs and faulty mechanisms meant text was displayed with letters missing or even shown on a different area of the scoreboard. After a while, fans got used to the garbled messages and even grew to like them as a distraction from the action taking place on the pitch.

Fully digital scoreboards like Wednesday's were slow to make an impact and venues hesitantly looked for a compromise. Despite the 1970's beginning on the crest of a scientific NASA wave, the greatest tournament on the planet was still relying on name cards and a handful of bulbs to tell people what they needed to know. If it wasn't for the opportunity to raise some money from the advertising space it provided, many scoreboards probably wouldn't have even seen the light of day.

In the end, our first sight of a new-age scoreboard didn't arrive in England or South America, but from the one place most people least expected it. Over in the United States, the occasional blown bulb wasn't going to stop NASL clubs making a song and dance about the new-found sport they were purveying.

With players like Franz Beckenbauer, George Best and Pele in town, fans needed to be reminded about the razzmatazz they were witnessing, or at least reminded who it was they were watching.

In addition to the basic electronic scoreboards already resident at some NFL and baseball stadia, bigger, more advanced displays cropped up at a small selection clubs across the country. Many of them not only displayed the score and scorers but also entertained the fans with animated imagery and messages.

With such extravagance creeping into the world game, it was hardly surprising that Subbuteo updated their own scoreboard accessory to a more modern version in 1978. The World Cup that year reinforced the notion (at Buenos Aires at least) that a new technological age had dawned, yet actually the rate of progress was still painfully slow. Even in Spain four years later, the old hand-painted name plates and tiles were still being used.

It would ultimately be up to the major stadia of the world to lead the way where modern scoreboards were concerned. At seemingly every major Cup Final on every continent of the world, scores and scorers were illuminated for ticket-paying supporters with great efficiency and clarity. Huge matrices arrived to give displays better clarity and definition, to say nothing of bigger text. Yet just as soon as they'd reached the peak they were always destined for, traditional scoreboards were starting to see the writing on the wall. (Or should that be 'board'?)

By the mid-1990's, Sony's Jumbrotron system was appearing at some of the world's major musical and sporting events, affording spectators the chance to see real-time video on enormous screens. The ability to provide people not just with text-based information but moving pictures and action replays left the traditional scoreboard looking rather old-fashioned and redundant all of a sudden. Even down-at-heel football clubs across the UK saw the potential to attract fans, even if it meant snapping up cruder, cheaper versions of Sony's big screen.

And so we find ourselves in 2012, an age where virtually every Premier League ground seems to have a big video screen tucked away in at least one corner of the ground. For all that, however, some clubs have remained true to the old virtues, believing that a simple scoreboard should not be a big distraction to the things happening on the pitch. Therein lies hope for the future - a reminder that sometimes we can learn a lot from the things we learned in the past. Video screens are all well and good, but the scoreboards of days gone by told us exactly what we needed to know in a beautifully simple way.

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English Football Grounds VHS - Part 1

I have a confession to make... I have an obsession with stadiums. I blame it all on the San Siro and Italia 90. It’s my issue and I’ve come to peace with it. It does, however, mean I have several rather nerdy items in my football collection. The truly awesome Football Grounds of Europe by Simon Inglis, several volumes of Football Grounds from the Air... and this video...

The film opens with a shot of an empty Molineux stand and through the magic of cross fading, the ground slowly fills up, noise level rising as it does. Finally, the players run out on to the pitch to a cacophony of cheers. This then fades to black and some truly awful late 70s synth soundtrack kicks in... welcome to the world of low budget videos people!

The titles then inform us that the video is introduced by the legend that is Alan Mullery.

Never mind the quality, feel the...er...Mullery?

And then he appears. Eloquent, fluid, erudite, mellifluous... these are all words that describe the polar opposite of Mr. Mullery’s presenting style...and I use the word ‘presenting’ in its loosest possible sense. The best way I can describe Alan’s segues is you get the creeping sense that he’s been taken hostage by a terrorist group and with gun to head, is being forced to read out his plea to the Prime Minister, only for someone to have replaced the carefully prepared script at the last minute with some stuff about football league grounds... His eyes darting left to right as he struggles to muster any real enthusiasm for the words he’s supposedly written, there are clear signs of torture... though it’s us who is suffering, toes curling to extremes.

“In the next 70 minutes (oh lord!) or so, we aim to show you the huge changes that have taken place in the last few years...”

Just read that quote again then remember this was filmed in 1994. Now think of the state of most grounds in 2012 and you get the feeling Alan’s brain would have melted...though based on this video, I think it was almost there.

Thankfully, we soon get to the meat of the video and, with the hint dropped that we’re off to the ‘far north’, what feast of the senses are we treated to? Which huge ground do we get sight of to cease our pavlovian salivating?

This...

OK...

“So where are we off to first Dave?” enquires a disembodied female voice.
“Izzup to the norfeast to sint jamezzzzez park”, comes the answer.
Despite the shaky production values and obviously limited budget, it’s at this point that the video really does come into its own.  This is the first glimpse you get of St James’ Park...

I can see it!!!

This is less than 20 years ago, but the place is hardly recognisable.

The quirkiness then continues where the team decide to include the scene where they announce that “the first thing they should do is go to reception and get permission to go into the ground”. There’s detail and there’s DETAIL!

Once ensconced within, the changes that have taken place “in the last few years” are detailed. This was at a time when St James’ Park was halfway through its first major rebuilding phase, with the 2 ends being transformed from terracing to steep banked seating with their deep covered roofs. At this stage, only one of those ends had been completed; the other was still a low, open terrace and there’s still terracing in the main stand. The commentary makes the point that ‘fans familiar with the ground just a few years ago, wouldn’t recognise it today’ and, following a camera sweep around it, it’s hard to see anyone from the present recognising that particular incarnation of the ground.  Also of note, there’s not a single Sports Direct logo anywhere, though there is a Northern rock hoarding.

It’s also interesting to note that Keegan was so popular at the time, he even drew a crowd waiting for a bus...

Gimme Shelter...

We then move onto Middlesbrough, accompanied by some cod Wurlitzer style tunes...lovely! So...what did the Riverside look like in 1994? This...

Not actual size

Of course,  it wasn’t yet built for the ‘Boro still played at Ayresome Park in 1994. With no hint of irony given how soon they were to abandon the place, the narrator tells us that this is a place steeped in history. Hmmm...

History smells funny...

Without warning, Alan pops up again to deliver a stunning anecdote about playing Brian Clough for the first time...and by stunning, I mean deathly. I have a suspicion that Steve Coogan has this video in his collection somewhere. Needles to say, he had the last laugh.

So where are we off to next on this odyssey from Newcastle to Wembley?  Why, York City of course!

After the now obligatory ground pan, we’re treated to some footage of York against Colchester from the 1992/3 season for no apparent reason, other than maybe to show what a game looks like if you film it from behind a support column.

Mmmm... Posty...

One exciting anecdote from Alan later and we’re off to yet another ground that no longer exists... a beautifully snow covered Leeds Road in Huddersfield. While progress is a natural thing in life and most of these grounds were archaic even in the 90s, it is rather saddening to see so much that is now housing developments and supermarkets. Yes the grounds that replaced these decrepit old homes have better seating, views and facilities, but they also look so damn similar! The true joy of this video is the sheer variety of stands and terraces you get, often all within one ground. These places told a story. You could often see the history of a club just by looking from left to right.

At least what was to be known initially as the McAlpine Stadium was a rather unique looking thing in itself and can be seen here mid-construction.

At this point it was known as the McAlp

Here’s Alan again... Shankly, Dennis Law, 6 goals, Frank Worthington, Trevor Cherry all get a mention and I’ll cut him some slack here... he’s clearly speaking from memory rather than a cue card and a genuine sparkle is detectable as he tells us how none of them ever got a result there.

It’s Ewood Park now and here we have yet another ground in the middle of being built. This was of course the time when Jack Walker’s millions were transforming the club and the ground itself. Fast forward 18 years and how things have sadly changed...

Then to Anfield - or not as they clearly weren't allowed in, so instead some footage of them destroying Crystal Palace and some exterior shots of the famous Kop... where it can be seen that in 1994, you could get into a Liverpool game for £8... to repeat, that’s EIGHT POUNDS!

8 Quid???

A shot of the Hillsborough memorial then serves as what feels like a somewhat tasteless link to move on to Sheffield Wednesday’s ground. For a second...then it’s on to the red half of Manchester.

“A vast amphitheatre...now complete”. Complete in the sense of the old terracing having just been converted into seating and the roof line joined up, taking the capacity to a then mammoth 40,000. Only 2 years later, the huge, 3 tier stand took shape and kicked off the next phase of Old Trafford’s redevelopment.

Next up, Sheffield United and Dave “Harry” Bassett, the then manager, gives us quite an accurate description of the state of football ground development at the time, pointing out that since the Taylor report, a lot of grounds higher up the league have improved immensely, while those further down are stuck in less than desirable surroundings. The most interesting thing about his piece to camera, though, is that he doesn’t appear to take a breath all the way through. Honestly, he never once stops talking. A quick pan round the ground, which I have to say, looks like a shed, and up pops Dave again, detailing all the forthcoming changes to Brammal Lane... and again, no pausing. Either he’s nervous or he’s just imbibed a handful of speed.

Breathe Dammit!!!!

It's then off to Chester City's brand new Deva Stadium... and at this point (not even half an hour into the video), I'll pull into the motorway services for a 'comfort break' and see you all again in part 2...

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England v USSR (Match-Day Programme, 1984)

We're delighted to bring you our very first guest post courtesy of Rob Langham, a member of the team behind the brilliant blogsite The Two Unfortunates. Here, Rob takes us back 28 years to an international game he attended at Wembley and the match-day programme that accompanied it...

The programme for England’s international against the USSR, a match that took place on 2 June 1984, is a fascinating time capsule, not least due to the advertising strategies of the time - more of which later.

Unbeknownst to all of us at the time, the Soviet Union only had another seven years to run. Mikhail Gorbachev was still a year away from assuming office and our relationship with the USSR was filtered through the prism of the late Cold War period - tit for tat Olympic boycotts and Frankie Goes to Hollywood’s video for Two Tribes perhaps the most memorable manifestations of international relations.

That was a polyglot Soviet side. Having performed solidly at the 1982 World Cup in Spain, they, like England, had failed to reach that Summer’s European Championships in France. Far from Russian-dominated, the various republics of the union were well represented with captain Aleksandr Chivadze and Tengiz Sulakvelidze representing Georgia, Sergei Aleinikov and Sergei Stukachov hailing from Belarus and Kazakhstan respectively, and the Armenian Khoren Oganesyan acting as the XI’s primary creative force.

All of that was to be swept away two years later of course - as incoming manager Valeriy Lobanovskiy made a better fist of what Ron Greenwood had tried to do with Liverpool players for England the previous decade by jettisoning much of the existing squad (including Oganesyan - dropped for developing a ‘star complex’) and packing the team with the Ukrainians of Dynamo Kyiv.

But for now, it was an effective and unspectacular unit that cantered to a 2-0 victory against an England led by Bobby Robson.

In his programme notes, Robson opined about the lack of availability of players on a consistent basis and it was a weakened team that eventually took the field here - Mike Duxbury’s horrendous error allowing for the first goal and provoking a chorus of boos in a sparsely populated Wembley.

The old guard - Peter Shilton, Terry Butcher, Bryan Robson, Ray Wilkins and Trevor Francis was supplemented by a number of newcomers with perhaps the most significant being Gary Lineker - appearing in the squad for the first time in the 1-0 defeat to Wales that Spring.

But the number of unlikely names betrays a team in transition after the failure to overcome Denmark in European Championship qualifying. Former NASL man Steve Hunt, David Armstrong, Mike Hazard and John Gregory all made it to Bisham Abbey.

The most intriguing of the inclusions was winger Mark Chamberlain, Dad of Alex Oxlade-Chamberlain and a man who performed spiritedly on the afternoon - overshadowing the man on the opposite flank, John Barnes (the latter was to have the last laugh a few days later when he scored after a mazy run against Brazil).



There was also a Watford inflection to things - as reigning European under-21 Champions, Robson had seen fit to promote a number of that set up to the full team and Nigel Callaghan was one to benefit. Add to that Luther Blissett, at the time a Milan player but forged at Vicarage Road nonetheless.

But the theme didn’t end there. In a year that saw the Hertfordshire club reach an FA Cup Final, the programme advertised ‘The Summer of 84 Concert’ for later that month, with chairman Elton John headlining, supported by Nik Kershaw, Paul Young, Kool & The Gang and Wang Chung plus DJ appearances from Steve Wright and Simon Bates among others. Dull and dreary England’s 2-0 defeat may have been but presumably considerably less horrific than the entertainment offered by that shower.

Elsewhere in the publicity sections, the prospect of gridiron action involving the Tampa Bay Bandits and Philadelphia Stars was offered (no, I haven’t heard of them either) and a typically oblique Benson and Hedges adorned the back page - MIDDLE TAR.

Our thanks go to Rob for that wonderful trip down memory lane, and don't forget you can catch more of Rob's writing (together with that of many other fine folk) at www.thetwounfortunates.com. We also urge you to follow TheTwoUnfortunates on Twitter, too.

If you'd like to contribute an article of your own, please do so - simply contact @COakleyFtbl or @sofa_soccer on Twitter or leave us a comment on one of our blog posts and let us know all the details. Cheers!

You have read this article England / Programmes / USSR / Wembley with the title Wembley. You can bookmark this page URL https://couplesfootballstadium.blogspot.com/2012/02/england-v-ussr-match-day-programme-1984.html. Thanks!

Soccerboss / Goal! / Wembley ad, 1969

We wonder what the 'scientific approach' was that was used in 'Goal'? Anyone got any thoughts?

You have read this article 1969 / Advert / Games / Goal / Soccerboss / Wembley with the title Wembley. You can bookmark this page URL https://couplesfootballstadium.blogspot.com/2012/01/soccerboss-goal-wembley-ad-1969.html. Thanks!